Brighton Magazine

The Brighton Magazine

Selected Brighton Magazine Article

Tuesday 16 October 2018

Bringing It Back Home: Our Girl Set To Play Their Fuzzy-Pop Instant Classics @ The Haunt Brighton

At first, it's difficult to pinpoint exactly what makes Our Girl so special, or why the Brighton-formed, London-based trio's music stands out within a busy crowd of fellow guitar-wielding-types


But if an explanation didn't jump out when they first emerged with a debut EP of mighty fuzz-soaked songs in November 2016, it surfaces with Stranger Today, a debut album of personal, emotional juggernauts that could have only been made by these three people: Guitarist/vocalist Soph Nathan, bassist Josh Tyler and drummer Lauren Wilson.

Since forming in Nathan and Tyler's Brighton home four years ago, Wilson joining as a late recruit when she was wowed by a demo of their self-titled debut track, and 'Stranger Today' opener, Our Girl's members have only had pockets of time to work together.

Nathan remembers being in Brighton four years ago, shortly after Our Girl formed, and realising, "I was finally in the band I wanted to be in." 

Almost half a decade later, and this eureka moment is sewn up on Stranger Today.

It's the sound of three friends totally at ease in their own space, discontent with being anywhere else; a vibrant document of what it's like to be young, invigorated and amongst people who feel the same. 

A day booked in a local studio here, a soundcheck there, full-time jobs and other projects meant the three rarely had a concentrated, collective patch. 

This changed in September 2017, when they stayed in Eve Studios in Stockport for a week, recording with Bill Ryder-Jones

Their week in Stockport became a crucial catalyst for what would follow. 

Ryder-Jones is a guitar virtuoso himself. 


"He did stuff neither me or Soph had ever seen anyone do before" Tyler remarks, and he became an unofficial fourth member of the group.

Stranger Today is a special debut for several reasons: 

First, because it's the sound of a band beginning to grasp their own value and place in the world. 

Secondly, because you can hear the trio's hunger to finally get in the same room and put to tape years worth of scrapbooks, half-finished ideas, and a slowly-forming feel for how their first album would actually sound. 

"What band isn't itching to make their debut? But it's quite frightening, knowing you're about to do it," Wilson remembers.

The real clincher, however, is Our Girl's dynamic, and how it plays out across Stranger Today

Best friends in person, the trio share the same close kinship and chemistry on record. 

On one side is Nathan's visceral lyricism, which has a habit of detailing and chipping away at precise moments; the first heart-flutter of a new crush; the moment a long-term friendship begins to ebb away. 

Around her, Tyler and Wilson's rhythm section carefully mirrors each feeling Nathan conveys. 

When she sings pointedly about love ('I Really Like It'), she's backed by a major-key afterglow. 

When the subject turns on its head ('Josephine'), out steps a wall of taut, earth-shaking noise. 

They each "serve the song", in Wilson's words, moving in sync but with their own personal slant. 

Not least on the closer Boring, where all restraint is thrown aside and the trio let out one final, violent thrash. 

They inhabit a space bigger than the first loves, sleepless nights and growing pains that define this record.

Our Girl play The Haunt, Brighton, on Friday 26th October 2018. CLICK HERE for tickets.

by: Mike Cobley




Share    

Photo credit: Mario Cruzado

The concept for the debut album from Faith Eliott came about via Faith's interest in medieval bestiaries, which are illustrated compendiums of animals. 

Brighton-bound Sam Morrow's Concrete and Mud is a confident album, rooted in Texas twang, southern stomp, and old-school funky-tonk. 

The Ballad of Johnny Longstaff is the story of one man's adventure from begging on the streets in the north of England to fighting against fascism in the Spanish Civil War, taking in the Hunger Marches and the Battle of Cable Street.  

In 1978, after having sold millions of records and become one of the biggest international artists of the 1970s, Cat Stevens decided to step out of the rock star spotlight and walk away. That year, he was to release his final album under that name.

Creators of stage show Wild, Laura Mugridge and Katie Villa, want us to think about that thing we have all been through, but very few of us talk about, through a bold, riotous and strikingly visual show.

Maverick Sabre's third album When I Wake Up is an acutely personal and poignant body of work from the songwriter and artist and includes guest appearances from Jorja Smith and Chronixx.

Brooklyn-based band Air Waves' new album, Warrior, is about being a Warrior in a queer body in this political climate, lead-singer Nicole Schneit's mother being a Warrior fighting chemotherapy, and being a Warrior in relationships. 

Written just a year apart, Lone Star in 1979, Laundry & Bourbon in 1980, the plays share the same setting, themes and connected characters and, not surprisingly, are usually presented on the same bill.

Ian McKellen is to celebrate his 80th birthday this year by raising funds for theatres, with a new solo show which will play on 80 stages across the UK, including Theatre Royal Brighton.
Pic by Grant

Winner of the first ever Women of the World Poetry Slam in 2008, Andrea Gibson remains one of the most captivating performers in the spoken word poetry scene today. 
(c) The Unthanks 2018

The Emily Brontë Song Cycle is a new work commissioned by the Brontë Society, written and recorded using Emily Brontë’s piano in her home, by composer, pianist and producer Adrian McNally of the band The Unthanks, and performed with sisters Rachel & Becky Unthank.
Photo by Warren Meadows

Being an iconic band is all about chemistry. Be they the Beatles, Small Faces, the Who, the Jam or the Stranglers. It's the mix of the individuals that makes the perfect whole.

Horrible Histories author Terry Deary took time out to answer questions ahead of Horrible Histories Live On Stage, which is coming to Brighton early next year.

Archive search

Search our archives for what's on and gone for the best of this city's theatre music comedy news and much more...







Organising a conference or event in Brighton?
See our Brighton Conference section.
Brighton web design by ...ntd