Brighton Magazine

The Brighton Magazine

Selected Brighton Magazine Article

Tuesday 14 August 2018

Brighton's Orbital Announce A Permanent Return With New Album Monsters Exist

When monsters are loose in a darkening world, we need monsters of our own to fight back …
(c) Kenny McCracken 2018

After a live reunion which saw them play to large audiences across Europe throughout 2017 Britain's elder statesmen of electronic music Orbital announce they're back for good – with new music and an upgrade of the live show that transformed festivals across the world. 
 
Reunited brothers Paul and Phil Hartnoll release their third track from the forthcoming album, The End Is Nigh on 31st August 2018. 
 
Their first new album in six years - the one even fans wondered if they'd ever hear - called Monsters Exist – will be released on 14th September. 
 
The album is a more classically structured Orbital album than their previous release Wonky, drawing inspiration from the international political landscape all the way back from Paul and Phil's pre-rave squat-punk roots, right up to the volatile tensions and erratic rhetoric of today.
 
"When you haven't made an album in six years it just comes tumbling out," says Paul. 

"Because of the global situation I was torn between writing a really aggressive Crass-type album that says 'F*ck The Man!' or going back to rave sensibilities.


You know, let's really rebel by stepping away and actually living that alternative lifestyle." But the idea of 'Monsters Exist' tied it all together.
 
"You don't need to spell out who the monsters are," he says. 

"We're not pointing our fingers at Donald Trump or Kim Jong-un. It's clear who the monsters are. I've never liked preaching to people. It"s much better to provoke a bit of thought." 
 
Phil puts it more succinctly: "It's a reflection on modern day monsters." 

"That can mean anything from bankers and The Man or your own demons and fears. The monsters inside you," 
 
Among the tracks in progress is a cosmic piece featuring an address for the possible end of the world by Prof. Brian Cox ("It's Brian being emo," says Paul. "Brian Emo"). 

There's also an epic state-of-the-planet title track featuring, "Anguish, dread and News at Ten-style drama."
 
"The masterplan for this one," says Paul, "Is to make a bloody good album. And then see what happens." 

 
 Reconnecting with Orbital's past, acclaimed avant-garde artist John Greenwood, who painted the famous bulbous and organic artwork for 1994's Snivilisation and 1996's In Sides albums, will return to create the cover of Monsters Exist

Some twenty years after he first collaborated with Orbital, Greenwood's shifting shapes and comical hybrid organisms – the Chapman Brothers meets Monsanto, or maybe Hieronymus Bosch-bosh-bosh – feel even more in sync with an era obsessed with its own genetic monsters. 

"We've always loved John's work," says Phil, "And it feels especially right for this record."
 
The brothers have a pact. Whatever happens, Orbital does not stop. 

"We've learned to talk to each other rather than let things stew, and it"s much better," says Phil. 

"We used to waste a lot of energy wondering what the other one was thinking and getting on each other's nerves. But now we actually talk! And it's brilliant." 
 
"It was silly really," adds Paul. "We're brothers and business partners and creative partners, so we were three times as likely to fall out.

"But, in the end, we had to remind ourselves that Orbital is something we"re really proud of and that we love doing it."
 
Orbital's new album 'Monsters Exist' is out on 14th September 2018. Pre-order here: https://Orbital.lnk.to/MonstersExist

by: Mike Cobley




Share    


Beartooth began as an emotional exorcism. Conceived, constructed, and unleashed by one man in a basement studio. 

This year has been something of a benchmark for the Essex-based artist, with the release of new album Young Adult, a true testament to Sam Duckworth's re-invigorated return as Get Cape. Wear Cape. Fly. 

Look Now is the first album Elvis Costello has made with The Imposters since the 2008 release of Momofuku, and his first new album since the acclaimed 2013 Roots collaboration, Wise Up Ghost.
Credit: Tony Tree

A new development will launch at Charleston, in East Sussex, this September, with the inaugural exhibition Orlando at the present time, which will present a contemporary response to Virginia Woolf's renowned novel Orlando: A Biography

Etta James' frantic recording and touring schedule coincided with her ever growing addiction problems and over time she not only sang the blues, she lived the blues. 
Pic by Rohann Agalawatte

Bringing together the talents of Chrisy Hurn (vocals, guitar), Nimal Agalawatte (bass, synth) and Brandon Munro (drums), the band hail from Hamilton, Ontario and were named Basement Revolver due to Chrisy's basement apartment, rather than any trigger happy leanings. 


This month the 'sophisticated and stylish popsters' All Saints will play an intimate gig in Brighton, on behalf of Nordoff Robbins, the UK's largest independent music therapy charity.

Make way for protest singer, LGBTQ+ activist, folk singer, socialist and social commentator Grace Petrie.

Sat in the TV room at The Courtlands Hotel, in Hove, on the evening of 1st December 1973, with just one other guest. That was a twelve year-old me (ed) and a sockless and scowling Brian Clough. On the screen were 'the highlights' of Brighton & Hove Albion getting hammered 2-8 by Bristol Rovers. Clough was the co-manager of the Albion!

Northern psychedelic punks The Lovely Eggs have unleased their new album 'This Is Eggland', ahead of a date in Brighton.

A full twenty-five years after the release of Baka Beyond's debut album, Spirit of the Forest, the band celebrate their beginnings with a date in Sussex, re-joined after a long absence by Paddy Le Mercier, a member of the original line-up.

A follow up to Sue MacLaine's award winning work Can I Start Again Please, Vessel takes inspiration from the remarkable history of Anchoritism to ask if voluntary solitude could ever be defined as a political act. 

In the year that has seen knife crime in the UK soar to an unprecedented level, writer and actress Ambreen Razia, presents POT, which goes inside the corrupt and violent world of inner city gang culture. 
Photo by Delaney Brooks

Sussex-based music charity, AudioActive, has taken a big step towards their vision to establish the UK's first centre for excellence for the talent development of marginalised and under-represented artists in Worthing, thanks to £92,618 National Lottery funding through Arts Council England.

Archive search

Search our archives for what's on and gone for the best of this city's theatre music comedy news and much more...







Organising a conference or event in Brighton?
See our Brighton Conference section.
Brighton web design by ...ntd