Brighton Magazine

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Selected Brighton Magazine Article
Friday 17 May 2013

Btn Fest Review - Veronika Eberle Stole The Show As BBC Symphony Orchestra Brought A Touch Of Class To Brighton Dome

Was Veronika Eberle Playing Mendelssohn or was Mendelssohn playing Veronika Eberle? (BBC Symphony Orchestra at Dome Concert Hall, Brighton).



Like a woman possessed, in her bright blue bell beau ball-gown, all Moira Shearer in 'Red Shoes', Eberle was like some crazed marionette of the music, it was as if the violin solo, memorised in her head by months of practice, was controlling her -and not the other way around- as if it were some demonic puppet master bent on her destruction.

Like some crazed jazzman her instrument seemed to move her body, pushing and pulling at it as if all life had passed into this wooden thing and her body was its plaything, its extension. 

On and on and on she went, her body, even when not playing, swayed to the music, her eyes tight shut and her all immersed in the music like something from tales of ancient Druidic herbs or the Oracular Pythoness swaying to Greek Delphic temple fumes. 

Never manic always poised, yet still under the direct spell of the music, without doubt she stole this concert right out from under the noses of the BBC Symphony Orchestra (just). 


This rendition of Felix Mendelssohn's Violin Concerto E minor was a fine and passionate affair, the orchestra strings all moving together, cello-arms see sawing across and back in sea-saw waves of bows that flowed like the winds across the stormy sea that fronts this city. 

The BBCSO were in full flight last night and no mistake.

The evening started out with the Adagio (Symphony no. 2) by Klaus Amadeus Hartmann. 

As a German who lived in the 1930s and 1940s, Hartmann trod the line without being tainted by fascism or communism, writing work condemning the events in Dachau concentration camp, but later staying in Germany yet remaining silent to avoid an untimely death. 

Likewise his music has defied categorisation, he never adhered to any one school of music or movement, but reinvented his style with each new work. 


This was a powerful and disturbing work, not the kind of music to nod off quietly to either.

Brahms' Symphony No.4 in E Minor finished the evening off well. 

The original arrangement for two pianos was described by the critic Eduard Hanslick as 'being beaten over the head by two clever men'. Funny, that reminds me of an Apparat concert I went to recently.

This is not one of my favourites but it was still well worth a listen by an orchestra who seemed to draw only the best from it. 

Proceedings were conducted by the chirpy James Gaffigan who was born in 1979, the year I grew up and as such makes feel very, very old indeed.

The BBC Symphony Orchestra were  wonderful guests at the Dome Concert hall last night. 

They are yet more proof, not only of the consistently high quality of the classical concerts this Festival has hosted, but how damn lucky we are to have one at all.

There were empty seats in the Dome Concert Hall last night and there should not have been. 

If you missed this then you missed out.

Brighton Festival continues throughout this month. See brightonfestival.org for more details.


by: Howard Young (Arts Editor)


   

Arts Council England has pledged £5.8m towards a major revitalisation of Brighton Dome & Brighton Festival's heritage venues following a successful bid by the joint custodians of the Royal Pavilion Estate.
Sir Ian McKellen has given his backing to Wonderkid, an LGBT short film that wants to tackle homophobia in football and provide an insight into the trauma caused by homophobic stigma and challenge preconceptions about what it is to be ‘masculine'.
After teaming up with the Foo Fighters in both Scotland and South Africa, Kaiser Chiefs will find time in their busy schedule to play a date at the Brighton Centre.
After twenty years in Everything But The Girl, and ten years as a respected DJ and record label boss of Buzzin' Fly, Ben Watt announced last year he was parking everything to complete two long-planned creative solo projects. 
Started in 1976, by maverick music entrepreneurs Jake Riviera and Dave Robinson, the legendary Stiff Records changed the landscape of a moribund record industry. 
Imagine your mind has been wiped: memories, knowledge, experiences, language - every word you ever spoke, has vanished. If eventually you found the words, what would you say? 
Following the recent release of her third album 'A Perfect Contradiction'Paloma Faith is set to visit the Brighton Centre next month.
A year ago last Spring, having just announced an autumnal release of their new album, Give the People What They Want, Sharon Jones & the Dap-Kings' world was put on hold when Sharon was diagnosed with cancer.

Brighton Film School has announced a new Film Forum monthly club for young people passionate about films and filmmaking.
Being an iconic band is all about chemistry. Be they the Beatles, Small Faces, the Who, the Jam or the Stranglers. It's the mix of the individuals that makes the perfect whole.

Talented vocal coach, Katie Holmes, who has worked with stars Leona Lewis, Professor Green and Lily Allen is the latest musical heavyweight to be included in The Band Project's amazing 'All Stars' line-up. 
It's been claimed that one-time Never Mind The Buzzcocks presenter, Simon Amstell,started his TV career at Nickoledeon where he was fired for making pop stars uncomfortable, and that he then began presenting the Channel 4 show, Popworld - where he gained a huge following for his groundbreaking work in making pop stars uncomfortable!
The city's teachers may have only recently returned to their classrooms but many of them kept themselves busy by volunteering their time over the summer for Young City Reads, Brighton's citywide reading initiative for primary school children.
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